This post is part of a feature at Jorie’s Reads by Starry Night Elf called “Celebrating Hispanic Heritage Month.”
Junot Díaz’s The Brief Wondrous Life of Oscar Wao changed my perception of something which seemed so scholarly – footnotes. My goodness, I’d never seen anything like it – little contradictions and factoids to add to the story of the woeful ghetto nerd Oscar. Within a page, I got narrative and the Dominican Republic’s volatile history. His work pointed me towards other books about the DR. I felt I had an idea and that’s mostly due to Díaz.
Junot Díaz is a contemporary Dominican-American writer. He moved to the USA with his parents at age six, settling in New Jersey. Central to Díaz’s work is the duality of the immigrant experience. He is the first Dominican-born man to become a major author in the United States.
Díaz is creative writing professor at the Massachusetts Institute of Technology. He received the Pulitzer Prize for Fiction for his novel, The Brief Wondrous Life of Oscar Wao in 2008.
In addition to the Pulitzer Prize, Díaz has received a Eugene McDermott Award, a fellowship from the John Simon Guggenheim Memorial Foundation, a Lila Acheson Wallace Reader’s Digest Award, the 2002 Pen/Malamud Award, the 2003 US-Japan Creative Artist Fellowship from the National Endowment for the Arts, a fellowship at the Radcliffe Institute for Advanced Study at Harvard University and the Rome Prize from the American Academy of Arts and Letters. He was also awarded a MacArthur Fellowship in 2012. He was selected as one of the 39 most important Latin American writers under the age of 39 by the Bogotá Book Capital of World and the Hay Festival. In September 2007, Miramax acquired the rights for a film adaptation of The Brief Wondrous Life of Oscar Wao.
After reading The Brief Wondrous Life of Oscar Wao, this book became a staple on my Top Ten Tuesday posts 🙂 … I also pushed through his previous work Drown, a collection of short stories (not my favorite prose) simply because they were written by Díaz. Lucky for me, Yunior, Díaz’s narrator, was there, too.
His latest – This is How You Lose Her – is on my TBR pile. Why? Well, his blend of facts and narrative bring forth a gloriously clear picture of what has happened, what is happening, and what will happen. Thus, I couldn’t celebrate without mentioning Díaz.